a new model , with whom i’m a bit impressed. she approached me recently about being a fan of my work and wanted to try her hand at some art nudes. hopefully, we’ll have a chance to shoot again sometime soon. model: Ginger shot on: Ilford Delta 100 (at 200 iso), scan from 4×5 negative
Category Archives: studio light
Cyanotypes – Emotional Blue
last weekend while Sara Ferron was here, she asked me to show her how i make some of my darkroom prints. so, i brought down a couple of the 4×5 negatives that i’d recently shot with her and we just did a couple of quick contact prints. i wasn’t sure what we’d get since theContinue reading “Cyanotypes – Emotional Blue”
Gravitational Fields
technorium: Ilford Orthographic film, developed in Ilford Multigrade paper developer (which is, by the way, not on the recommended list of developers at all. i totally used this developer by mistake). model: sara ferron
Chair and Figure
simple chair and figure study shot on Ilford Delta 100 4×5 film. scan from the negative. model: KCM
Mercy Vine
Classical figure work at LeStudio. model: KCM
Can’t Hide Anymore
model: KCM shot on 4×5 Ilford Orthographic Film. normally used for copy work, i had no idea it would render skin tones so beautifully. there are other ways to process this in a high-contrast manner, but i liked the way this came out. like, really a lot.
Benefit for Pat Sonne
Katlyn – White Original Platinum Toned Salt Print a print i’m donating to a silent auction to benefit local art model Pat Sonne who is having some difficulty with prolonged illness. come out and support the arts! Auction and Valentine’s Day Party Tuesday, February 14, 2012 7-10pm Antonio Salemme Foundation 542 West Hamilton St., #203Continue reading “Benefit for Pat Sonne”
Inversion No. 8
model: cam damage
White Wash
Hana against the white wall in my small studio space. You can truly create something wonderful with a single light and a few frames of film. Ilford Delta 400, pulled to 200. Scan from a 6x7cm negative. Model: Hana Rose
Memento Mori
“All photographs are memento mori. To take a photograph is to participate in another person’s (or thing’s) mortality, vulnerability, mutability. Precisely by slicing out this moment and freezing it, all photographs testify to time’s relentless melt.” – Susan Sontag model: cam damage
So Many Stars 