One of the beautiful things about working with a large format field camera are the movements you can do with tilting the lens board. It allows you to achieve a selective focus that you can’t get with a normal 35mm. Originally the ability to tilt was for perspective correction in architectural photography, but the ability to do some spatial compression and selective focus is much more alluring to me.
Scan of a 4×5 negative.
model: Erica Jay
So Many Stars 